Between Rivers | Press preview 17 October 2024
Between Rivers brings together the practices of contemporary artists who respond to the place of rivers in our lives at a moment when they are being profoundly reshaped by human activity.
Between Rivers brings together the practices of contemporary artists who respond to the place of rivers in our lives at a moment when they are being profoundly reshaped by human activity.
A quiet and protected water, the layers above it, passing undisturbed is a new site-specific commission by Silje Figenschou Thoresen. Its permeable form is created through the gathering of diverse objects into groups, which are often stacked precariously on top of one another.
Astrup Fearnley Museet presents a solo exhibition of work by multidisciplinary American artist and filmmaker Cauleen Smith (b. 1967, Riverside, California; lives and works in Los Angeles).
Every year the Astrup Fearnley Collection grows through the acquisition of new works, which expand upon existing positions and incorporate new practices. In 2023, 29 works by 22 artists were added.
Leonard Rickhard
Between Construction and Collapse
26 January – 19 May 2024
Astrup Fearnley Museet’s first exhibition of 2024 is devoted to the painter Leonard Rickhard. Over a long artistic career, Rickhard cultivated a distinctive, easily recognizable style—a visual signature that is all its own within recent Norwegian art history. For the public, and for a younger generation of art
Exhibition period: 22 June - 8 October 2023
Astrup Fearnley Museet is celebrating its thirtieth anniversary in 2023. To mark this significant milestone, the museum is undertaking an extensive exhibition titled Before Tomorrow featuring works from the Astrup Fearnley Collection, which will fill the museum’s two buildings designed by Renzo Piano.
With more than 100 works on display, Be
Exhibition period: 30.09.2022–12.02.2023
On September 30, the Astrup Fearnley Museet will open an exhibition by American artist Rachel Harrison, her largest in Scandinavia to date. Spanning mediums that include sculpture, drawing, photography, and painting, Sitting in a Room has an emphasis on recent practice.
Harrison’s nimble, layered method of artmaking escapes easy categorization. Abstra