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  • Beatriz González, Televisor en color (Colour Television), 1980. Installation view, Beatriz González at the Barbican, London,
    Beatriz González, Televisor en color (Colour Television), 1980. Installation view, Beatriz González at the Barbican, London, 25 Feb - 10 May 2026. Image credit - Barbican Art Gallery, David Parry © Beatriz González
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    Barbican Art Gallery, David Parry © Beatriz González
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    8095 x 5399, 4.02 MB
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  • Beatriz González in her studio, Bogotá, ca. 1974. Photo: Rafael Moure.
    Beatriz González in her studio, Bogotá, ca. 1974. Photo: Rafael Moure.
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    5744 x 3928, 21.5 MB
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  • Beatriz González, Empalizada (Palisade), 2001. Collection of Andrés Matute, Ignacio Goñi, Fernando Goñi. © Beatriz González.
    Beatriz González, Empalizada (Palisade), 2001. Collection of Andrés Matute, Ignacio Goñi, Fernando Goñi. © Beatriz González. Photo: Juan Camilo Segura.
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    © Beatriz González
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    4742 x 2775, 37.7 MB
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  • Beatriz González, Los papagayos (The Parrots), 1987. Collection Pérez Art Museum Miami, gift of Jorge M. Pérez. © Beatriz Gon
    Beatriz González, Los papagayos (The Parrots), 1987. Collection Pérez Art Museum Miami, gift of Jorge M. Pérez. © Beatriz González. Photo: Oriol Tarridas
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    © Beatriz González
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    6303 x 2273, 41 MB
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  • Beatriz González, Decoración de interiores (Interior Decoration), 1981. Tate.
    Beatriz González, Decoración de interiores (Interior Decoration), 1981. Tate. Presented by Tate Americas Foundation, courtesy of the Latin American Acquisitions Committee 2015, accessioned 2021. © Beatriz González. Photo: Tate
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    © Beatriz González
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    4134 x 2790, 5.77 MB
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  • Beatriz González, Nací en Florencia y tenía veintiseis años cuando fue pintado mi retrato (esta frase pronunciada en voz dulce y baja), 1974. Collection Beatriz González. © Beatriz González. Photo: Laura Jiménez.
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    © Beatriz González
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    2539 x 3307, 24 MB
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  • Cerith Wyn Evans, StarStarStar/Steer (Transphoton), 2019. Exhibition view, Grammars of Light. © Astrup Fearnley Museet, 2025. Photo: Christian Øen.
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    Courtesy the artist and White Cube, London
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    7952 x 5304, 16.6 MB
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  • Candice Lin and P. Staff, Hormonal Fog (Astrup Fearnley), 2026. Exhibition view, Grammars of Light. © Astrup Fearnley Museet, 2025. Photo: Christian Øen.
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    Courtesy the artists; Commonwealth and Council, Los Angeles; Galerie Sultana, Paris
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    7952 x 5304, 6.05 MB
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  • Cerith Wyn Evans, StarStarStar/Steer (Transphoton), 2019. Exhibition view, Grammars of Light. © Astrup Fearnley Museet, 2025. Photo: Christian Øen.
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    Courtesy the artist and White Cube, London
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    7952 x 5304, 15.6 MB
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  • Ann Lislegaard, Crystal World (after J.G. Ballard), 2006. Exhibition view, Grammars of Light. © Astrup Fearnley Museet, 2025.
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    Astrup Fearnley Collection, Oslo
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    7952 x 5304, 11 MB
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  • Ann Lislegaard, Slamming the Front Door (after A Doll’s House by Henrik Ibsen), 2005. Exhibition view, Grammars of Light. © Astrup Fearnley Museet, 2025. Photo: Christian Øen.
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    Courtesy Museet for Samtidskunst, Roskilde
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    7952 x 5304, 13.1 MB
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  • P. Staff, Minimum World, 2025. Exhibition view, Grammars of Light. © Astrup Fearnley Museet, 2025. Photo: Christian Øen.
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    Courtesy the artists; Commonwealth and Council, Los Angeles; Galerie Sultana, Paris
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    7952 x 5304, 20.2 MB
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  • P. Staff, Penetration, 2025. Exhibition view, Grammars of Light. © Astrup Fearnley Museet, 2025. Photo: Christian Øen.
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    Courtesy the artists; Commonwealth and Council, Los Angeles; Galerie Sultana, Paris
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    7952 x 5304, 6.85 MB
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  • Detail of P. Staff, Minimum World (Pages), 2025. Exhibition view, Grammars of Light. © Astrup Fearnley Museet, 2025. Photo: Christian Øen.
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    Courtesy the artists; Commonwealth and Council, Los Angeles; Galerie Sultana, Paris
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    5304 x 7952, 12.7 MB
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  • Cerith Wyn Evans, StarStarStar/Steer (Transphoton), 2019. Exhibition view, Grammars of Light. © Astrup Fearnley Museet, 2025. Photo: Christian Øen.
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    Courtesy the artist and White Cube, London
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    5304 x 7952, 11.5 MB
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  • Ann Lislegaard, Crystal World (after J.G. Ballard), 2006. Still.
    Ann Lislegaard, Crystal World (after J.G. Ballard), 2006. Still.
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    4962 x 3507, 1.12 MB
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  • Ann Lislegaard, Crystal World (after J.G. Ballard), 2006. Still.
    Ann Lislegaard, Crystal World (after J.G. Ballard), 2006. Still.
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    4962 x 3507, 937 KB
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  • Lutz Bacher, World, 2003. Installation view from “Lutz Bacher: Do You Love Me?”, Kunstverein München, 2009. Courtesy the Estate of Lutz Bacher and Galerie Buchholz
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    Courtesy the Estate of Lutz Bacher and Galerie Buchholz.
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    5616 x 3744, 3.53 MB
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  • Lutz Bacher, Woodman, 2015. Collection of Lonti Ebers, New York. Courtesy the Estate of Lutz Bacher and Galerie Buchholz
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    Courtesy the Estate of Lutz Bacher and Galerie Buchholz
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    3744 x 5616, 4.84 MB
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  • Lutz Bacher, Untitled (Parent/Child), 2019. Collection of Paul Bernstein & Alfred Gillio, New York. Courtesy the Estate of Lutz Bacher and Galerie Buchholz
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    Courtesy the Estate of Lutz Bacher and Galerie Buchholz.
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    8699 x 5797, 5.85 MB
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